The tenor John Beard had a fascinating life,
and was the first male theatrical personality to marry into the aristocracy
when he wed Lady Henrietta Herbert secretly in 1739. Beard – an Anglican who
had been brought up in the Chapel Royal choir – thus found himself wed to a
catholic descendant of King James II, and a close relation by marriage of
Bonny Prince Charlie.
At the age of 19 Handel plucked Beard from the choir and gave
him starring tenor roles in his Italian operas. When Handel turned instead
to the composition of oratorios, it was Beard who created the leading tenor
parts in such works as Judas Maccabaeus, Samson, Belshazzar &
Jephtha. Beard sang every one of Handel’s oratorios for the composer,
and was a frequent interpreter of the Messiah solos throughout
England.
At the two London patent theatres, Drury Lane and Covent
Garden, he gained further fame as the foremost Macheath of his day in
John Gay’s perennially popular The Beggar’s Opera; as the performer
of Arne’s delightful songs in Garrick’s staging of Shakespeare plays; and as
a principal singer in Ballad Operas and Pantomimes. In the summer months he
entertained the fashionable audience at Ranelagh Gardens with popular
ballads and cantatas.
Six years after his wife died married again. This time he found
himself fortuitously allied to the influential Rich family when he married
Charlotte, John Rich’s daughter. Rich had made his fortune out of The
Beggar’s Opera, and had built Covent Garden Theatre with the profits. By
1759 he was old and ailing, and so he invited his new son-in-law to be his
assistant manager. Although competing with Garrick’s Drury Lane Beard
managed so well that he virtually turned it into an opera house for English
operas. King George III rewarded him with the title ‘Vocal Performer in
Extraordinary to his Majesty’ and a pension. When he retired he sold Covent
Garden for a huge sum and went to live in comfortable retirement in a
Thames-side villa up the road from Garrick in Hampton.
345 pp
ISBN 978 1 905206 13 1 £15.00